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73 of 73 found the following review helpful:
 Vivitar 285HV or Sunpak 383 Super? Your Choice Nov 22, 2007
By hobbyist-2006
I compared the 285HV with Sunpak 383 Super and I found out these differences and similiraties:
1. Both are non-brand specific Manual/non-TTL auto flash for use in practically any camera with standard hotshoe.
2. Both have the same Guide Number of 120.
3. In Manual mode, they can slice their power output from 1/1 to 1/16th except that the 285HV is missing 1/8th.
4. In non-TTL auto, the 285HV has four auto-aperture settings while the 383Super has only three.
5. The 383Super can do vertical and horizontal bounce (swivel) while the 285HV can do vertical bounce only.
6. The 285HV has zoom positions to cover 35mm, 50mm and 105mm focal length lenses. It also includs an extra-wide flash head adapter to cover 28mm focal length. The 383Super has no zoom position and can cover only 35mm focal length and up.
7. I havent measured the sync voltage of the 383 Super but I am sure that the 285HV has a sync voltage of 6V DC as I measured it myself.
8. The 383 Super locks on the hotshoe by turning a screw while the 285HV has a one-action locking lever.
9. The 285HV has a lovely illuminated (yes!) calculator dial which is practically a tiny work of art! Its a pity though it has no varnish of some sort to protect its surface markings from scratching.
I can live without 383 Super's additional swivel and 1/8th power ratio. I need the 285HV's direct, brute light power when shooting inside high-ceiling rooms and dim conditions where I cannot approach my subjects. The zoom-capable flash head helps in this situation because it boosts precious flash range just a bit more than what the 383 Super can.
I can also use the extra-wide adapter when using the 18-55mm lens of the D40 at 18mm. In film terms, 18mm focal lenght on the D40 is 27mm- just perfect for the 28mm extra-wide adapter.
I prefer the one-action locking lever of the 285HV. The locking lever makes the flash more stable as compared to the turn screw on my other flash.
Of course, the 285HV has none of the programmed high-tech artificial intelligence of expensive flashes (say,a Nikon SB800 or a Canon 580EX), other than its auto-thyristor and manual controls. However, in its auto thyristor mode, I found it to be accurate. Sometimes in tricky situations (say, a white board behind your friend) it under-exposes, as expected. But thanks to the digital SLR where I attach it to (Nikon D40), I can quickly make corrections on the spot by examining the LCD! Easy!
Although plastic, Vivitar build it well. Solid feel with no loose parts which are not supposed to be loose. Overall, a beautifully made simple flash. But for what it was made to do, from my experience a least, it does very well, consistently and reliably.
84 of 88 found the following review helpful:
great flash for the money Dec 03, 2002
By Lakan Kildap
Let's get to the bad stuff first:
1) no swivel
2) printed numbers on calculator dial may wear off or get scratched off (UPDATE: no, they haven't been scratched off yet by mes, but in the hands of heavy/pro users they might be. Bottom line, for casual use, the printed numbers are durable enough.)
3) plastic foot may break
4) sync cord, battery holder and AC adapter are hard to find in stores
5) of course, no TTL, but we already knew that
OK, the good stuff (really good)
1) very powerful, big grins on subjects after they hear the loud pop and see the light. This is one big gun.
2) meter is surprisingly accurate
3) zoom head and wide angle adapter
4) generous auto range of 4 apertures, variable power settings of 1/2, 1/4 and 1/16
5) if you use flash as main source of light, don't shoot closeups with flash and have no need for TTL, this is all the flash you need (UPDATE: actually with the proper set up, you can even use this for close-ups)
6) did I say this flash is so affordable?
61 of 63 found the following review helpful:
Vivitar 285 Work-horse Mar 07, 2002
By Ingelbert Lievaart II
I've been using Vivitar 283 and 285's for years now. I was introduced to the 285 when my backlight died on a Glamour shoot. The style my client wanted was an over exposed background to ad a haze around the subject through the softener1 filter. This required a powerful flash. The only store near the salon was a Carmen's camera and all they had in their used department was this old 285, the man in the store, a professional photographer himself, assured me that with a slave unit on the manual setting this flash would be powerful enough to do the job. He even had an SB-4 power supply and this little plastic display unit, which made a perfect little backlight stand!Not only did this flash recycle in time, it was powerful enough to do the job. This little flash even replaced my Metz for wedding work because of its compact size! I also noticed at the time that many other press photographers were leaving their Metz's at home too! For travelling and backpacking I bring my 283, which is very light and also has the remote sensor feature so handy for close-up work. The 283 also sits nicer on the hot shoe being lighter, making the camera less top-heavy. Which brings me to the only complaint I have with these two flashes.... or many hot shoe flashes for that matter. Shooting at crowded concerts or busy news scrums the vulnerability of the hot shoe is always on my mind, on more than one occasion I have broken this hot shoe and had to order a new one which requires a bit of assembly and downtime. To make up for this -the remote sensor makes it possible to use these flashes off camera even with the broken hot shoe and with the amount of used 283's and 285's out there at good prices, they are still the best darn portable mini flashes I've come across! With an on camera 283 fill light, reflected, a slaved 285 with a reflector on a stand next to the camera and a 283 slaved for a back light and you have yourself a portable studio, but watch out your subject doesn't step on the backlight!
20 of 20 found the following review helpful:
Great Flash for the Money Jul 14, 2007
By Greg Allen
(Review is from Greg's wife, Marcy Worthington) I've been a professional photographer for over three decades and started using Vivitar 283 and 285 flashes years ago. I also teach photography and recommend these flashes to my students.
Both the Vivitar 283 and 285 have four automatic and one manual exposure settings. They work well both on and off-camera and can be easily used when "painting with light"; this technique is often used by crime scene and accident photographers when photographing large, dark areas.
These flashes aren't dedicated or TTL (meaning they don't communicate with the camera for "through the lens" metering) but they are extremely versatile and very powerful for the money. Don't buy these models if you plan to only use your camera on P (Program, essentially "point & shoot" mode) but definitely get them if you use the S (shutter priority automatic exposure) or M (manual exposure) modes and are serious about photography.
23 of 24 found the following review helpful:
 solid work horse with a gotcha Dec 01, 2008
By Magnus
I started out buying more expensive Canon flashes but didn't need the E-TTL features. Based on a web review, I bought a couple of Vivitar 285HV's and used them with my existing off-camera triggering system (which consists of Elinchrom Skyport radio triggers and Wein optical hot shoe triggers). All of my existing triggers fired through the hot shoe of the flash and have worked with a variety of flashes, including older Vivitar 283 flashes.
However, the 285HV is triggered on a different contact point than most flashes. It works fine on-camera, but doesn't work at all with any of these remote triggering options.
I've found that you need to use the trigger port on the side of the flash. Wein peanut slaves have a high failure rate, but Sonia triggers seem to work much more consistently well with this flash.
Once your system is working, these will fire consistently well. They don't recycle as fast as some of the more modern and expensive designs, but if you take your time and compose each shot well, you should be just fine. I've been replacing all of my other flashes and standardizing now on the 285HV for my field gear.
I use these for semi-professional fashion and art photography and it often surprises people to see me using such humble looking equipment and yet I get great results from them.
*** LONG TERM UPDATE ***
These flashes only last a little over a year and then they are kaput. I have had a few of them, all purchased around the same time, and in the middle of a shoot they will suddenly flash brightly and then not work anymore. As far as I can tell, these units are sealed up and not meant to be repaired.
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